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One of the more important resources for beginners is Adobe’s online learning center at `www.photoshop.com/learn`.
Photoshop Elements
The image-editing application Photoshop Elements (`www.adobe.com/products/photoshop/elements.html`) offers the same tools as Photoshop, including layers and the ability to add transparency, but it limits you to saving with either JPEG or TIFF files, as well as providing only a limited color space and limited file size. For most casual editing, it’s more than enough. But for serious enthusiasts, Photoshop Elements is the more capable way to go.
Software for Mac and Windows
With a growing number of image-editing software packages available today, a choice for Windows PC and Mac owners is pretty straightforward. Photoshop CS5 (found in the Digital Photography Essentials series) is the premiere program, but you have other options:
Adobe Photoshop Lightroom: An enhanced version of Photoshop, released in early 2008, Adobe Photoshop Lightroom provides an array of tools to ease the process of organizing, editing, and exporting your images.
Picasa: The makers of Google also have a photo-editing program for Windows and Mac, Picasa, that offers a number of features for helping you organize, edit, and share your images.
GIMP: Although GIMP (GNU Image Manipulation Program) is often considered to be just a beginner’s version of Photoshop, it has a large set of features, including layers, and a plug-in architecture that enables you to use many Photoshop tools within GIMP.
GIMP is a free, open-source image-manipulation program available at `
Another Mac-only program is MacAperture (` which is designed to work with many of the tools that you’d find in professional-quality software. MacAperture is a small download of about 2.6 MB, and it costs between $25 and $85.
Adobe Photoshop Creative Suite
In addition to offering CS5, Adobe also offers Creative Suite with Photoshop, InDesign, and a suite of other design-related software. This suite includes access to a large library of plug-ins, giving you access to Photoshop features like Content-Aware Move and Fade, which makes it easy to copy and paste objects from one image to another.
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It is not an easy program to learn. It is absolutely possible to master the program but, don’t expect results.
In the following tutorial, we will learn how to use the tonal adjustment layer.
What is Tonal adjustment layer?
A tonal adjustment layer is a Photoshop adjustment layer that allows you to manipulate the levels of color.
How to use tonal adjustment layer?
We will use the hue/saturation adjustment layer.
You can also change the color temperature.
To change the color temperature, use the Gradient Map tool.
You can also find details on the hue/saturation tool in the Photoshop help file.
Let’s edit our product photo.
Edit the product photo
Click on the layer you wish to work on.
Go to Edit > Adjustment layers to activate the tonal adjustment layer.
Use the colour wheels to create a more pleasing color balance for the image.
To see the full details, check out the step by step guide to creating a perfect product photo.
We will edit the tonal adjustment layer.
You can check out the step by step guide to create a perfect product photo.
Step 1: Create a Gray Background
You can use the paintbrush tool and paint the image in the background.
Make sure that the foreground is white, then click in an area outside of the image.
Now, click on the foreground color and select the color menu to change the foreground color.
Fill the background with a color that blends into the background.
Step 2: Add a Green Gradient
Go to Edit > Curves.
Add a green gradient.
Adjust the midpoint and the gradient.
Step 3: Add a Blue Gradient
Go to Color > Gradient Overlay.
Select Gradient Overlay then click on the location guide to choose the gradient.
Add a blue gradient at different locations.
Step 4: Decrease the Opacity of the Gradient
Go to the Layers panel and select the gradient.
Click on the Opacity slider then drag it to the right.
At around 50%, you will achieve a pleasing effect.
Step 5: Add a Light Shadow
To add a light shadow, use the Brush tool.
Apply white color in the color menu
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The present invention relates to golf balls and, in particular, to a golf ball having an improved durability upon long-term use.
The performance of golf balls is widely variable and largely depends on how the ball is constructed. Such constructions include the core, the cover, and the intermediate layer. The core, the cover, and the intermediate layer are in the form of a layer of a rubber composition, and the cover and the intermediate layer are shaped to form a spherical outer surface.
The core is typically constructed from a center and a cover. The center is filled with a single or a multi-piece core. In a multi-piece core, each core is formed as a single piece. In a single piece core, on the other hand, a plurality of core pieces are assembled into a single unit. The number of the core pieces may be from two to seven or more. Each core piece is formed by partially cutting a rubber composition.
The cover is formed from a material having a suitable hardness and elasticity. The cover is typically formed of a polymeric material and manufactured using techniques well known in the art. Also, the cover may be formed by applying a unvulcanized rubber composition in the form of a sheet and then cutting the sheet into a multi-layer cover or using some other process well known in the art.
An intermediate layer is disposed between the core and the cover. The intermediate layer is formed of a material different from that of the cover. The intermediate layer is formed with an appropriate hardness and thickness to balance the impact resistance of the core with the cut resistance of the cover.
As mentioned above, the performance of the golf ball depends on how the ball is constructed. To improve the durability and flight performance, U.S. Pat. No. 5,719,026 proposes that the core be constructed from a plurality of core pieces. This patent also proposes that a plurality of core pieces be separated by the intermediate layer. In addition, U.S. Pat. No. 5,958,480 proposes forming the intermediate layer from a high-hardness rubber. The rubber composition consists of a specific carbon black, a specific antioxidant, and a specific filler.
U.S. Pat. Nos. 5,719,026 and 5,958,480, however, do not specify a filler for the intermediate layer. Thus, this layer is not necessarily made of the correct material. If the intermediate layer is made of an improper rubber composition, the durability and cut
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Q:
Attempting to convert a long into an int error C#
I’m having an issue trying to convert a long into an int. I’ve looked everywhere and it seems to be an issue with a single byte that is being pushed into a long.
If anyone has any suggestions I’d be grateful.
C# Code:
long record = 0xE38D0837; // or any other long number
int
for (int i = 0; i
#include
int main() {
long record = 0xE38D0837; // or any other long number
std::cout (record & 0xFFFF);
std::cout > 16;
}
}
Debugger Output:
C++ Output:
A:
You’re showing the bits of the long, not the byte value of the single bytes. 0xE38D0837 is 0xE38D0 + 0x837. The 8 represents the least significant byte. What you want to do is print:
std::cout (record) (record);
record = record >> 16;
std::c
System Requirements:
Windows: 7/8/8.1/10 x86 & x64
Mac: 10.9 or newer
Android: 4.2 or newer
iOS: 9.0 or newer
Processor: Intel Pentium Dual Core E2180 (2.8 GHz, 4 MB cache,
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