DEATH And DARKNESS SDX € Darkness Part (SOUNDBANK)

Toontrack Death & Darkness SDX brings together two world-class studios with two of todays most sought-after metal producers: Mark Lewis (Cannibal Corpse, Whitechapel, Coal Chamber) and Tue Madsen (Meshuggah, Behemoth, Hatesphere). Taken together, this gives you a truly diverse and comprehensive collection of drums designed to cater to every aspect of todays fragmented scene from the most brutal, blast-hit, and blazing-fast death metal to hardcore metalcore, hardcore, and all the other fusion-inspired progressive metal hybrids.
The Darkness part of the SDX offers a completely different experience a darker, less polished and more raw-natured drum tone. It was recorded in an empty pool at the long-standing and very legendary Antfarm Tue studio in Aarhus, Denmark. With the reflective surface of the solid tiled walls and pool floor combined with the brick structure and high ceilings in the adjoining room, the atmosphere of this unique room, which can be heard on countless albums, is unlike any other.

Another great application of the SDXs death kit is for soloing. By pressing the footswitch you can easily toggle between a dead, sterile and sterile natural reverb effect. I love this because I hate it when my headphones capture the reverb of my studio or even a church or mosque or whatever and it makes the mix sound sterile and soundless. Whether you need to fade out the kick drums or the snare or have a drum part blend with a synth line is easier than ever using the SDXs death kit.

The other great thing about the SDXs death kit is that you can control every single aspect of the the Silence section individually, including the natural reverberation. I can set it to be completely dry or with very good room ambience or bury the clap to zero and have one perfect dry snare and then add one perfect wall reverb later, so the sound is always exactly the same and never change from one sample to another.

Death & Darkness SDX features 99 drum kits. They were recorded by two hugely experienced drummers: Mark Lewis (Cannibal Corpse, Whitechapel, Coal Chamber) and Tue Madsen (Meshuggah, Behemoth, Hatesphere).
The main difference between the Death and Darkness parts of the SDX is the intensity and controlled nature of the sound. For example, distorted power chords that create a crunchy, industrial tone, and dark, cavernous sounds that result in a clear and cavernous, raw and pummeling metal drummer. A slightly lower level of attack and crash, dark backbeat, and damper is the result.
Dont be afraid of taking things up a notch. In the meantime, Death & Darkness SDX has succeeded in offering something for every drummer: hardcore, jazz, and even a few orchestras and film projects. To further lend convincing hard drive-quality performance to the SDX, both libraries are also enhanced with a collection of LFOs, 16 effects, a master bus, a reverb, and a collection of samples, keys, and loops.
Whether youre producing for a drummer or sound engineer, the Death & Darkness SDXs collection should be one of your first choices when working with harsh, industrial metal. Match the right dynamic range of attack and width, a busy as hell, and fat as hell. An entire harmonized band can be crafted. And, if your mind is clear enough to realize how productive the SDX can be on your productions, try the accompanying Violence & Destruction SDX at the same time.
The Swedish drum duo of toontrack sound designers Mark Lewis and Tue Madsen joined forces to create Death & Darkness SDX. They are best known for their collaborative work on Meshuggah and Behemoth albums. The drums are built on fast double kick and blast beats, only matched by mad and crisp percussive fills that pierce the canvas through the wall of amps. Youll also find a TON of dark, grungy breaks and other percussion fodder that will allow you to turn your drum pack into a badass modern drummer.
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