80s Hit Songs Free Download

the runaways are a band about which much has been written and much mythologized. theirs was a brief career, and few people outside of the states were aware of them until everyone but a few nirvana fans heard their debut album. here is their version of dont want to be, as picked up by buzzcocks:

this was a british hit that has been played to death. madonna first recorded it in 1986, and it went no. 1 in the uk and in the us. when britpop came along, it was endlessly reinterpreted, often many times over, with endless imitations.

you might not think it, but this iconic single from the ’80s was actually written by the guy who did the incredible ’80s house-music classic jack your body. danny zukanowits remix was a huge hit in the ’90s, by which time numan had composed for years, and would have to wait another decade before returning to the charts with a more grown-up song – the perfect song for the misty, hungover dawn after a bottle or two of the kraken.

this chart-topper was composed by joe south, who was a lead singer of the well-known ’50s rock ‘n’ roll outfit the louvin brothers. from the album reach out and touch (somebody’s hand). the single topped the charts in 1970. although the song was written in 1948, the fact that it didn’t become a real big hit until the ’70s proves that age is not always a barrier to success, and there are plenty of ’80s classics that are by just that much better. the weak, for instance, was written back in 1961, and it became a huge hit only in the mid-’80s.

the performance of this song on star trek: the next generation entitled ‘the royale” required soundtracks composer howard shore to use some of his ideas from this electro dance album. beach boys veteran brian wilson helped with the vocals. the song also appeared on the best of michael jackson. a deliriously catchy tune from which any man could feel liberated.

this was the lead single from the album hang ups. it reached number one in the uk and began a successful writing/production partnership between the two and marr and cameron. the song mentions actions that were often associated with lgbtq people and gay rights – promiscuity, the right to say no, and the right to be discreet about relationships. nme described it as one of the best protest songs ever, but it was said to come across as hostile.
kristen stewart is a major lgbtq+ ally, and you might know that she and many of her friends are serious members of team potato nation. in 2017, she came out to rolling stone with a kiss on the mouth to a stuffed likeness of herself that she kissed on the cover. now, the president of the united states (and many others, as it turned out) has passed around a photo of himself and stewart kissing. stewart responded in kind, tweeting the picture and saying, i was one of the first to ever come out to my family, and i certainly wasn’t alone. (she also tweeted out that quote, about the very essence of queerness.) stewart is extremely far out and proud. wertheimer
this track was written in the late 80s for an indie-rock musical revue called this is gay. a sophisticated work of queer pop art, produced by randy wertheimer , this song was based on marlene dumas book charlie && quinn , and played by the band kyle and the guys .
aguilera sings about her femininity, about becoming the woman she always wanted to be, in a duet with justin timberlake. literally calling out everyone she isnt supposed to be with (pop stars, dance clubs and guys), she sings: its not a world i can live in. but theres a place where i belong. its where ive always found my comfort, ive been a girl all along. within that innocent sound, aguilera also rejects the pop-star ideal, and that of the kind of women she says she hated: a certain kind of, a certain kind of look.
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