Hitman David Foster And Friends 2008 Dts 720p Mkv Concert
Foster’s brilliance may be expected from anyone having done the work of a producer. It’s his empathy that stands out. “I’m so into what I’m doing that I often find myself musically involved,” he says. “It’s like you’re in love with your partner. There are times that I need to be present and act like the secretariat.” Then he gets more serious and adds: “I need to make sure I’m put back in the cage,” a reference to the hit songs he has penned with his collaborator, lyricist, and producer, Ken Hirsch.
When asked if the greatest failure of his life was leaving the Joffrey Ballet to become a music producer in 1986, Foster doesn’t hesitate. “My heart was at that company.” But he has since reconciled himself with his decision, pointing out that the Ballet was, after all, “the most prestigious ballet company in the world.” Foster shrugs off praise from critics, who haven’t always been supportive.
The now 52-year-old musician admits that he has had more highs than lows in his career. The high was producing Quincy Jones’ early 1980s albums, which helped Foster create a beloved, Grammy-winning sound for Quincy Jones, Lionel Richie and Diana Ross. But he also produced records by Michael Jackson that were not well received by critics.
He has enjoyed enormous success. “I always think of success as people thinking it’s my fault if they get killed.” Foster’s charm, evident even in his years with Jones, lies in his unabashed, gift for storytelling. Perhaps that’s the way he deals with the pressures of the music business.
The portrayal of his career in Hit Man is highly flattering, though his friends with longer memories may find it a little schmaltzy. And it doesn’t capture some of Foster’s more understated contributions, such as his contributions to the Imus scoring, including his work with Quincy Jones.
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